Real tippspiel em

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News, videos, image galleries and Live Scores comfortably on your TV. His stories were often awe-inspiring and engrossing.

But in "Lion Boys" he put long conversations in the mouth of the would-be suicide bomber Nadim -- a person who apparently exists, but with whom Relotius was never able to speak at length.

Relotius quoted him reciting verses from the Koran that his IS captors allegedly drummed into his head. The figure of the physician, upon which much of the story is based, never existed.

And the text says the following about the excerpts from the Koran: He sits in his cell and repeats them one after the other, the way shy children recite poems, staring at the floor, breathless.

Surah 9, verse The idea behind the article came from editors in Hamburg, with the goal of going beyond merely excoriating from on high the first few months of U.

The plan was for Relotius to rent an apartment in Fergus Falls, meet people, listen to what they had to say, and produce a snapshot that would allow readers to gain a slightly better understanding of the Americans.

He found himself in a situation that every reporter is familiar with: In cases like this, quick decisions are necessary: Abort the story or continue?

Give it another go or drop it? Look for a new angle or return home? No staff member -- especially not one that had published the kind of stories Relotius had -- has to worry about getting into hot water for failing to bring home a story.

All journalists know that these kinds of things happen, that some lines of reporting lead to dead ends, that good material does not always make for good stories, and sometimes money is burned up that could have been put to better use.

Those are the risks involved. Relotius simply refused to accept those realities. You make a fabrication. In his story about Fergus Falls, Relotius bent and twisted reality in a repugnant and arrogant manner.

To ensure a gripping lead, he wrote that next to the welcome sign at the edge of town, there was also a second sign -- "half as tall, but almost impossible to overlook.

But he passed on his creation as fact to hundreds of thousands of readers -- and insulted the inhabitants of Fergus Falls in the process.

Relotius gave the inhabitants of Fergus Falls made-up biographies to suit his needs, as if he were a puppeteer. He invented grotesque lies and reported, for example, that the students at the John F.

Kennedy high school drew their role models for the American dream as follows: Most of them drew Donald Trump. Every single bit is concocted bunk.

Does Relotius ultimately believe in his own creations? He knows that he fabricated stories and deceived his readers, he says -- and to do so in this day and age, someone like him has the largest imaginable toolbox at his disposal.

Relotius arranged this material, grouped it according to a topic or around a central figure, and he traveled to the locations, sometimes met people, however briefly, and all of these elements became colors, like the palette of a painter, which he used to paint his image of life.

But if the premise of the story itself already sounds fictitious, what about the details within? Nothing has yet been proven with regard to this story, but more investigation is clearly needed.

Meanwhile, there are findings that make it appear that the DER SPIEGEL story about Colin Kaepernick -- the football star who knelt during the national anthem to protest daily racism in America and ended up without a job -- was largely fabricated.

Relotius was unable to get an interview with him. Finally -- at times crying, at times laughing -- the mother told his story.

But it never took place. Earlier, during the same conversation, he had still maintained that the opposite was true. It was a superbly gripping piece about an American woman who serves as a witness to executions because the law requires the presence of ordinary citizens.

The woman is in favor of the death penalty, so she sees it as her duty to support the state on this issue. To flesh out the story, Relotius ascribed her with dramatic personal experiences that further explained her actions.

Relotius accompanied her, he claims, throughout the entire story, always right at her side. She locks the door, turns the key three times, then walks through the empty streets to the bus station.

Relotius gave her the name Gayle Gladdis. She says that she often feels nauseous on long bus rides. She opens to Leviticus, chapter 24, where it says: It all fits perfectly.

Claas Relotius never accompanied a woman to executions in America. He never traveled by bus with her, and he never paged through Leviticus with her.

Even for someone in his league, that must be some kind of a record. Did things get worse over time? He describes a mechanism that would kick in ever since he began working as a journalist.

In light of the latest revelations, one would be justified in doubting this claim. Then, he says, he would write made-up sentences and leave them in his stories, adding that he personally sometimes found them so brazen and ridiculous that he said to himself while writing: Has he also enjoyed producing the fabrications of these past few years?

Does he take delight in a successful lead, a captivating scene or a detail when everything was, well, fabricated?

Relotius shook his head in response to such questions last Thursday. Something is wrong with him, says Claas Relotius, and he now needs to work on that.

It is difficult to separate fact from fiction, it is difficult to determine who Relotius was actually in contact with, how often and how intensively, how their interactions were translated, and how all the mobile phone connections mentioned in the story were even technically possible.

He admits that the mobile phone tour of the destroyed city never happened. He admits that the composition of the story, with narrative passages alternating with apparent interview transcripts, is falsified in the sense that the material he gathered did not include that many direct quotations from the protagonist.

Relotius invented them, or fabricated them from very few quotations. On Thursday, he pointed out passages in the text that are fake, but without precision, instead gesturing at entire paragraphs.

One could spend a lot of time dwelling on the before and after, but what really matters is the outcome: It is Juan Moreno who, against all odds, never let up, continued reporting, pressed ahead, and believed in his facts.

In the course of the reporting, with Claas Relotius in the United States and Juan Moreno traveling on the Mexican side of the border, many disagreements arose, which subsequently contributed to the fact that the accusations leveled by Moreno were not taken more seriously and clarified more quickly.

Relotius also became more energetic in November with his cover-up efforts. He messed around with emails and sent misleading screenshots of Facebook pages.

Ultimately, though, he would be crushed by the evidence that Moreno had gathered against him. But then the problems started looking much more significant, such as the fact that much of what Relotius wrote about the days he spent with a militia bore a strong resemblance to a long story written by investigative reporter Shane Bauer for the magazine Mother Jones.

There are also many differences, of course. Could it just be a crazy coincidence? Relotius produced a draft with the working title "Showdown," but Moreno was extremely unhappy with it.

On the evening before it was to go to press, he saw the entire layout, including the pictures, which immediately jumped out at him.

One of the photos in the article was of Tim Foley, the head of the Arizona militia, whose name does not appear in the text.

More than anything, Moreno was surprised that Relotius had so persistently claimed that the militia, which he had allegedly been able to join for a time, refused to be photographed or filmed.

But Foley is a very public figure. He appeared in the award-winning documentary film "Cartel Land" and makes a part of his living by charging journalists and tourists for a guided tour along the border and letting them immerse themselves in the milieu of the militias.

Moreno wrote an email to the fact-checking department asking about the inconsistencies, but soon he also began hinting to coworkers that something fishy might be going on.

But he had no concrete evidence yet and began searching the internet for clues. The next day, Thursday, Nov. They spoke about the story, and Moreno conveyed his doubts.

They talked about the fact that the protagonists in the story had already appeared in other, older stories. Still, neither side came away from the conversation with the feeling that there was cause for assuming a deliberate deception -- and no reason to justify possibly pulling the story.

Geyer asked him to put his accusations in writing. He defended himself brilliantly and cunningly. Indeed, his response was so eloquent, even admitting to imperfections in his work, that Moreno began looking like the troublemaker.

Moreno then took advantage of a reporting trip to the United States to collect even more material against Relotius, but above all to protect himself.

He was troubled by the unbearable thought that his own byline was at the top of a story that he considered to be untrue in many parts.

Also on board was Munich photographer Mirco Taliercio, who had helped arrange a meeting with Mayweather. Moreno and Taliercio are good friends.

That is why Moreno decided to take him along on the secret second part of his journey: It would be extremely odd if he was unable to remember their time together.

Moreno managed to make contact with Foley, who then served as his connection to Maloof. The video of the encounter is shocking for anyone who may have thought that Claas Relotius was nothing but the reliable, friendly person he had been known as for such a long time.

Foley was extremely clear about the fact that he had never seen Relotius before in his life. The scene was repeated a few days later in a different place, with a different cast of characters.

It was on Dec. He even presented his ID to prove his identity. Relotius wrote, for example, that he had the words "Strength" and "Pride" tattooed on the back of his hands.

Relotius had never met with either of them. Along with some details that he invented. He made use of images, Facebook posts, YouTube videos, and he borrowed material from old newspapers and obscure blogs.

He assembled all these pieces and splinters and shreds and crumbs to create his characters. They only live on paper, and their creator was Claas Relotius.

Sometimes he made them sing, sometimes he made them cry and sometimes he had them pray. Because it made such a wonderful ending to his work of fiction.

Discuss this issue with other readers! Show all comments Page 1. My partner is German and had told me years ago that Spiegel triple-checked its facts, at great cost and labor, to get it right.

Seems the Internet is used both by reporters to check, and fabricators as fodder. Until yet another human did the time-consuming work of traveling far away to find somebody, and talk to them.

How you must have drooled [

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